Tom E. Finglass (1880?–1957)
In his early years Dublin-born tenor Tom E. Finglass often performed in blackface, and was sometimes billed as “The Ideal Coon” in the less-enlightened days when minstrels and nostalgic songs about an imaginary American South were all the rage. Music Hall historian S. Theodore Felstead even goes so far as to suggest that he was as good as the immortal American blackface Music Hall star Eugene Stratton1 — indeed, Finglass played Stratton in two films, You Will Remember, the 1941 film of the life of Leslie Stuart; and Variety Jubilee (1943).
During his career, Tom Finglass performed a number of Fred Godfrey songs on stage; those known are Dad And Mammys Golden Wedding Jubilee (1918); My Tennessee, Is That You Calling Me? (1918); Down In Virginia (1920), Id Like To Be On The Farm (If The Darn Thing Were Only Somewhere In Town) (1920), Mammys Mississippi Home (1920), and The Rose Of Alabam (1920). About his performance of My Tennessee, one newspaper reported:
Finglass plays an important role in the Fred Godfrey story, as the two of them teamed up in 1929–30 to create a Variety act featuring Godfrey’s hit songs. When the act debuted in late 1929, Godfrey was billed as “The British song writer who is booked for Hollywood,” having just signed a contract to join the rush of song writers heading to California to work on then-popular movie musicals. Bad timing, as it turned out. The Wall Street Crash and the US public’s sudden loss of appetite for the genre, not to be renewed until the release of Forty-Second Street in 1933, killed Godfrey’s chance to grasp the brass ring.
The act, meanwhile, was a big hit, with Finglass handling the singing while Godfrey played the piano. Reportedly, the audience singalongs would bring the house down, and they would end with Take Me Back To Dear Old Blighty, light a “fag,” and walk offstage. The act “topped the bill” in many provincial halls — Godfrey’s daughter Peggie recalled catching it in Bolton, where Godfrey and Finglass shared the top of the bill with Shaun Glenville. An early stop was the Hippodrome, Exeter (November 1929), then Christmas 1929 at the Argyle Theatre, Birkenhead. An Irish tour saw them at the Hippodrome, Belfast, and the Theatre Royal, Dublin (January 1930); in both cities, Ella Shields topped the bill. On 23 January 1930, the Dublin correspondent for The Stage reported: “Ella Shields heads a variety bill, and carries all before her. She is an old favourite in Dublin. Another treat is afforded by Fred Godfrey at the piano with the ever-welcome Tom E. Finglass in the composer’s songs.”
In February 1930, Godfrey and Finglass found themsleves on home ground at the South London Palace, where The Era reported: “A lot of interest was evinced in the appearance of Fred Godfrey, the well-known author-composer, and Tom E. Finglass in a combined act, and they were completely successful....Best of all was the lowering of a white screen on which was flashed the words of some of Fred Godfrey’s biggest successes, finishing up with ‘Take Me Back To Dear Old Blighty’” (The Era, 5 February 1930, p. 11).
The act moved on to the Tivoli, Aberdeen (March 1930), where the local newspaper reported, “the well-known author, composer, and pianist, Fred Godfrey, writer of innumerable popular songs, accompanied by Tom E. Finglass, who sang Mr. Godfrey’s songs, made pleasing entertainment. Songs now almost forgotten were revived in all their pristine spirit by this talented duo” (Aberdeen Press and Journal, 18 March 1930, p. 9). At the Royal, Edinburgh (April 1930), the act was described as “a most enjoyable turn, comprising songs, choruses, and dancing, the audience joining heartily in many familiar choruses” (The Stage, 3 April 1930). Also in April 1930, they played the Metropole, Glasgow, and the Shakespeare, Liverpool (April 1930), where in both places comedian Billy Bennett topped the bill; the Hippodrome, Sheffield (28 May 1930), with Randolph Sutton heading the bill; the Alexandria, Pontefract, Yorkshire (May 1930); and the Hippodrome, Rotherham (June 1930), where Shaun Glenville topped the bill.
In Exeter, a local newspaper noted,
Finglass retired from regular performing in the late 1930s and subsequently made his living in London as a hairdresser. He came out of retirement briefly in 1950 to portray Eugene Stratton once more in a BBC tribute to that singer.,
1 S. Theodore Felstead, Stars Who Made the Halls: A Hundred
Years of English Humour, Harmony and Hilarity (London: T. Werner